Normally, two hands are better than one.
They tell me to keep both hands on the steering wheel, use two hands when carrying hot liquids and even when shaking hands to grasp the other person’s hand in both of mine.
And, of course, you need two hands to play harp. Or do you?
As I sat down with my walk-a-about harp Maewyn by one of my senior friends, she grasped my left hand in her two warm and wrinkled ones and held it to her heart. My smooth skin between hers looked like a peach wrapped in white tissue paper. She didn’t let go, so I continued to play with my right hand. Supplying both melody and harmony with one hand didn’t sound as full and musical. But the dear lady, almost too weak to speak, began to smile. She connected to the music because I used one hand to connect with her.
I would have taken a picture for you but, with one hand being held and one hand playing, I didn’t have any hands to spare.
Sometimes, one hand for a harpist is better than two.